That was interesting, including the Harvey persona teamed with Batman against Two-Face, though it was hard to see where “Joker War” would tie in. If the tie to the “Joker War” crossover feels like a little bit of a contrivance, interrupting what if anything Tomasi originally had planned for this story, then the madcap energy is still epic and worthy of the “event” Detective has been dragged in to. With Pennyworth RIP, the contexts for Bruce’s rebuilding projects, the Bat-family’s ire, and “Joker War” itself are much clearer. A series of gangsters are ripped off, leading up to an attack on the Penguin, though it turns out to have been a plan by the Penguin to bump off his competition. Perhaps this is indeed evidence of the privileged billionaire inherent in Batman’s character, but I have a hard time believing the world’s keenest detective and epitome of human fitness can’t by habit keep a mess off his desk. The Comic Con, which started in Britain in 1968, has always been a hotspot from dressing up and taking the role of a particular character, known as cosplay. The Dollmaker cutting off the Joker’s face not only underlines the danger of the Dollmaker character, but casts a pall over the story in general — among a couple of masked characters, the reader is never sure if the Joker might be hiding underneath.
Make ’em count. The Chattering Teeth are only available for use in Joker’s sneaking missions. Daniel’s comparison between the Joker’s torn-off face and the Shroud of Turin also opens possibilities that overshadow the gore of the image — concepts such as that the Joker’s face itself might contain evil, or that it becomes a totem for his followers, are so engaging as to justify the gore needed to get to that point. Gore is no substitute for a good storytelling, but Daniel manages to combine both — Faces of Death is gory, earning it some derision at the start of the DC New 52, but Daniel’s gore builds suspense, it is not gore for gore’s sake. Batman — Detective Comics: Faces of Death begins better than it ends. With Daniel leaving Detective after the next book, however and no similar such plotline in Snyder’s work, it’s hard to know if Gotham’s attitude toward Batman will remain consistent or change with the next writer. Further it seems a new inker comes on for the last half of the book, making Daniel’s art less crisp and more distorted than the earlier pages.
Penguin’s assassins are Snakeskin (so close in powers to Clayface that this ought have been Clayface) and a woman named “Jill” (given with differing last names in the story, which might be a mistake). New York Comic Con is the largest of its kind on the East Coast, with organizers hoping to have the same success that saw 150,000 attendees last year. The special – which earned a flurry of reaction from die-hard fans when it launched on HBO Max in the US and Sky Go and Now TV in the UK – also saw a slew of guests make surprise appearances, including David Beckham, Lady Gaga, Justin Bieber and Cindy Crawford. 2: The Joker War, would’ve made Joker War make a lot more sense. 8: The Joker War was puzzling, as was Batman’s big apology to his family in Batman: Joker War proper. If you are a person who likes the style and want to try it for the parties then here is the article that explains everything about the joker purple suit mens. After four issues, however, the main Faces storyline gives way first to an unrelated short story, and then to a lackluster Penguin story.
Further, Tomasi seems to go out of his way in Detective: Joker War to show a gentler Batman, polite to bystanders and children, such that Tynion and Tomasi’s depiction doesn’t quite mesh. The answer is that, through quite the flashback, it seems that Joker operated on Two-Face after his attempted suicide, fitted him with a controlling device (by way of Hugo Strange and Mad Hatter), and has been forcing Harvey to build up his cult ever since. And this is before a crazy-in-the-best-way-possible multi-faceted pitched battle between Batman, Two-Face Harvey Dent in Jim Gordon’s DC You “Rookie” robot bat-suit(!), a whole mess of Court of Owls Talons(!!), and a Jokerized version of super-Talon (and sometimes Batman’s long-lost brother) Lincoln March(!!!). That said, at the point in which all hell breaks loose and Tomasi pits Lincoln March and his Owls against the robot from Scott Snyder’s Batman Vol. 5: The Big Burn, nine years and a continuity ago, not to mention that he uses elements like the no-face Joker and Lincoln March that stem from even earlier than that. I prefer a mystery where the clues add up to something over it all being a ruse, and again charitably I tend to wonder if Tomasi always meant to lay it all on the Joker.
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